Choosing the Best Professional Training Courses Part 2

In Part 1 of this article, I asked if you are
more prone to accepting the information
about the training programs you are
interested in at face value? 

Do you tend to trust, or question?
What IS a healthy dose of doubt?

Let’s go back to the story I told you in Part 1.

If you are the artist who’s approached by an
agent who tells you they want to represent
you because they have access to a national
audience of wealthy art buyers who are very
interested in your work, do you accept what
they say at face value and:

  1. Get excited and begin imagining thousands of commissions
    pouring in from enthusiastic collectors?
  2. Picture your original paintings and prints hanging in homes and
    offices all over the country?
  3. Begin to think about the exhibits you might be invited to put on
    in New York or San Francisco?

Many of us fall into this category. We are the idealists who build it” and trust that “they” will come… We “grab the brass ring” when it shows up. After all, at old time carnivals, anyone who was able to grab the brass ring on a merry-go-round got a free ride. And most of us love the notion of getting a free ride. 

The second category of people is quite a lot smaller than the first and strikes more of a balance between idealism and reality.  You are in this category if, as the artist being approached by the agent, you would:

  1. Do your best to find out about the other artists this agent represents and what sorts of shows, commissions and sales he has been able to generate for them.
  2. Ask the agent what his commission structure is and who is responsible for exhibiting expenses, the cost of shipping art across the country to his more remote clients, etc.
  3. Make a point of speaking to some of the artists he represents to ask about their experiences with him. Did he deliver what he promised? Much more? Or considerably less?

There’s a third category you might fall into,
but very few people will see themselves in
this group.

These are the people who often gravitate
towards law or law enforcement as they
believe that little or nothing is as it
seems

You’re here if, as the artist,  you would:

  1. Do a thorough background check on the agent to determine if he is someone that you want to have associated with your professional reputation.
  2. From your discoveries, assess whether he will be an asset to you, or a liability.
  3. Find out what he gets from representing you, and compare that to what you will get from worjing with him.
  4. Ask for a specific list that outlines his responsibilities and yours, so you’ll know what he will do and what’s left for you to cover.
  5. Check to see if he has a criminal record, any associations with public scandals, accusations of shady practices, or multiple identities.

Stereotypically, artists are more naïve and less savvy in regards to business matters that a business person seeking professional training, but this example can provide a useful reminder to anyone planning to buy a product or service which will thereafter be associated with them. 

We take this into account when choosing our children’s colleges and universities.  It’s important to choose a training provider that has a reputation that you are proud to align with your own professional reputation.  If you don’t, you may have to remove the certificate , skill or credential you have earned from your resume or professional profile.

To go back to the question we started with, “How can you figure out which training programs are solid and which courses you should to avoid at all costs?” The answer is quite simple. Begin by identifying exactly what you want.  Then determine which training company’s program best meets your needs by reviewing the benefits (hard benefit, not platitudes) that it claims to deliver and asking questions. Lots of questions.

Don’t accept platitudes or other people’s “testimonials” as substantive proof of quality. When you begin to scan marketing materials with a questioning mindset, it’s quite funny to notice how much they FAIL to tell you and how little proof they supply to back up their claims.  

Asking your own questions will enable you to make your best decisions. Unless, of course, you would prefer to prepare by taking our “Asking Good Questions” program. It’s been called “the best decision making approach available in the business world!” by Fortune 100 executives.* And if that’s not convincing enough, our participant’s testimonials are posted at… Ah ha!  Did I get you? <smile> Questioning examples will br posted within a few days.  Check them out, then go forth, and question!

Comments

One Response to “Choosing the Best Professional Training Courses Part 2”

  1. Choosing the Best Professional Training Courses Part 1 : Miboso Training on July 31st, 2008 9:39 am

    [...] Read more about this in Part 2… [...]

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